Maybe you’ve heard this before, but it’s highly likely you have not.
This was the precursor to Love Plus One, and in my opnion is a much better song. The funky beat and bassline, the horns, the rap break towards the end, it’s just a good time song. Don’t ask me what it means, however.
And of course, the lyrics:
Time can’t afford no time
Can’t afford the rhyme
Nevermind, someday maybe
Boy meets girl
And love, love is on its way
Boy meets girl
Boy meets girl
Bang, feel a little love
Carino dime
Never mind, someday Terry
Feel the pain
Hit, feel, rap, sweat
Why, feel the floor
Sweets for my way
Boy meets girl
Boy meets girl
Why, feel the floor
Sweets for my way
Boy meets girl
Boy meets girl
Feel the rhyme
Take the time
Go fighting to the top
Go number one
Stick a honeybun
Your mind begins to flop
How take in steam
Recall your dream
Hey, Camisas
Your favourite shirt is on the bed
Do a somersault on your head
I fell in love with this song from the first time I heard it. It’s a cool jam with a cool message and I think it’s just cool. Cool?
Okay, it’s got more going for it than that. I think it has a really good rhythm, and the violin really adds some extra flavor.
From Wikipedia
In 1997 Coppola had a big hit with “Legend of a Cowgirl,” a pop hit that mixed a sample lifted from Donovan’s “Sunshine Superman” with “with a sassy rap and a catchy hook.”[6] Coppola said at the time she recorded “Legend of a Cowgirl” that it was a fantasy about doing whatever she wanted and that now she was stuck with it.[9] “In ‘Legend of a Cowgirl,’ I talk about riding a horse. It’s a metaphor for doing whatever I want, about having sex with whoever I want and not feeling guilty, and riding on to the next town and starting all over again,” said Coppola.[9] “The song began as an idea for a movie: a fantasy about women who love ‘em and leave ‘em and ride off into the sunset. It was just a fantasy I was having for about a week,” she says with a sly grin, ‘and now I’m stuck with it.’”[9]
Part of Coppola’s marketing included a music video for “Legend of a Cowgirl,” that received heavy rotation on MTV.[7] The video showed Coppola in dream sequences as a a biker chick, a catsuit-wearing alien-type and a diva in heels and a huge afro.[7] In one scene Coppola dismounts her bike, marches up to a hitchhiking cowboy and plants a major kiss on him.[7] “It wasn’t that good of a kiss,” says Coppola.[7] “It was just like a big joke.”[7] In another scene Coppola, clad in a skintight, shiny black catsuit, is surrounded by nearly-naked dancing men in silver bodypaint and Speedos[7]. “It was very uncomfortable ’cause we had no room and their penises and their buns are just flopping around,” says Coppola.[7] “It was like, ‘Whoops, sorry. Didn’t mean to touch you!’ But they were all gay, so it didn’t really matter. They were cute though. It was a shame.
And of course, the lyrics:
I’m gonna drink my whiskey
I’m gonna have my man
I know you got nothing to say
I’m gonna have my man
Gonna steal their hearts
and save them for another day
Ain’t gonna hang my hat
Ain’t gonna take off my boots
Ain’t nothing gonna stop me in my pursuit
My stage, time to rehearse
Gonna see all the wonders of the universe
CH: Pack my bags and mount my horse
I’m gonna ride on into the next town
Spend all my money on absolutely nothing
Need no man to pay for anything
Ain’t got no shame, nobody knows my name
I’m gonna ride on into the next town
Pecos Bill, couldn’t hang for long
A female legend with a song
Such a beautiful day, Such a beautiful day
I think I’ll wear my brand new negligee
I’ll probably change my mind
It happens every time
Just speak to my ex-fianc¨¦
I’m gonna hunt the hunter, gonna serve’em well done
Nowhere to hide, nowhere to run
Up goes the moon, down goes the sun
Cook my dinner while I shine my gun
CH: Pack my bags and mount my horse
I’m gonna ride on into the next town
Spend all my money on absolutely nothing
Cause there ain’t no thing like chickenwing
Ain’t got no shame, nobody knows my name
I’m gonna ride on into the next town
Pecos Bill, couldn’t hang for long
A female legend with a song
I’d give my life to be her
I’d give my live just to be her
I’d give my sight to see her
I’d give my sight just to see her
So here’s the way I’m gonna break it down
Speak my mind any time ’cause I got the master plan
Power in my soul, strength from my hand
I’m going up north to claim my land
Won’t settle by river, might make me shiver
So look out and hide your fans
I’m a woman on fire with huge desire
To be as good as any man
CH: Pack my bags and mount my horse
I’m gonna ride on into the next town
Spend all my money on absolutely nothing
Need no man to pay for anything
Ain’t got no shame, nobody knows my name
I’m gonna ride on into the next town
Pecos Bill, couldn’t hang for long
A female legend with a song…….
Okay, I have to admit that I’ve heard this song way too many times–but I still love it.
There’s tons of arguments about this song at SongFacts and SongMeanings but it’s mostly people screaming about whether the song is about drugs or not, which is why I’m not linking directly to those particular conversations.
In all honesty, if this song is about anything, it really doesn’t matter to me. I love the contrast between Damon Albarn’s laid back vocals and Del the Funkee Homosapien’s relaxed rap, and the beat is nice and steady–probably a great song to walk to.
And of course, the lyrics:
I ain’t happy. I’m feeling glad.
I got sunshine in a bag.
I’m useless, but not for long.
The future is coming on.
I ain’t happy. I’m feeling glad.
I got sunshine in a bag.
I’m useless, but not for long.
The future is coming on.
It’s coming on, it’s coming on,
It’s coming on, it’s coming on.
Yeah, ha ha.
Finally someone let me out of my cage.
Now time for me is nothing ’cause I’m counting no age.
No, I couldn’t be there. No, you shouldn’t be scared.
I’m good at repairs and I’m under each snare.
Intangible, bet you didn’t think, so I command you to.
Panoramic view, look I’ll make it all manageable.
Pick and choose, sit and lose, all you different crews.
Chicks and dudes, who you think is really kicking tunes?
Picture you getting down in a picture tube,
Like you lit the fuse.
You think it’s fictional? Mystical, maybe.
Spiritual hero who appears in you to clear your view when you’re too crazy.
Lifeless, to those the definition for what life is.
Priceless to you because I put you on the hype shit.
You like it? Gun smoking, righteous, with one token psychic
Among those, possess you with one go.
I ain’t happy. I’m feeling glad.
I got sunshine in a bag.
I’m useless, but not for long.
The future is coming on.
I ain’t happy. I’m feeling glad.
I got sunshine in a bag.
I’m useless, but not for long.
The future is coming on.
The essence, the basics, without it, you make it.
Allow me to make this childlike in nature.
Rhythm, you have it or you don’t, that’s a fallacy.
I’m in them, every sprouting tree, every child apiece,
Every cloud at sea, you see with your eye.
You see destruction and demise, corruption in disguise,
From this fucking enterprise, now I’m sucking to your lies
Through Russel, not his muscles, but percussion he provides
With me as a guide.
Y’all can see me now ’cause you don’t see with your eye.
You perceive with your mind. That’s the inner.
So I’m-a stick around with Russ and be a mentor,
Bust a few rhymes so motherfuckers remember
Where the thought is. I brought all this
So you can survive when law is lawless.
Feelings, sensations that you thought was dead.
No squealing, remember that it’s all in your head.
I ain’t happy. I’m feeling glad.
I got sunshine in a bag.
I’m useless, but not for long.
The future is coming on.
I ain’t happy. I’m feeling glad.
I got sunshine in a bag.
I’m useless, but not for long.
My future is coming on.
It’s coming on, it’s coming on, it’s coming on, it’s coming on.
My future is coming on.
It’s coming on, it’s coming on, it’s coming on, it’s coming on.
My future is coming on.
It’s coming on, it’s coming on, it’s coming on, it’s coming on.
My future is coming on.
It’s coming on, it’s coming on.
My future is coming on.
It’s coming on, it’s coming on.
My future is coming on.
It’s coming on, it’s coming on.
My future
True Dreams Of Wichita is one of those great songs that really sneaks up on you. You know it’s good when you hear it, but it takes repeated listenings to give you an idea of how good it really is. The smooth but funky bass line, the mournful, desperate vocals, the evocative yet seemingly obscure lyrics, it’s all quite good.
It’s been suggested at SongMeanings that this song is about a long distance relationship. I cannot confirm this, but it seems as good an explanation as any.
And of course, the lyrics:
Signal got lost to the satellite
Got lost in the
Rideup to the
Plungedown;
Man sends the ray of the electric light
Sends the impulse
Through the air
Down to home
And you can stand
On the arms
Of the Williamsburg Bridge
Crying
Hey man, well this is Babylon
And you can fire out on a bus
To the outside world
Down to Louisiana
You can take her with you
I’ve seen the
Rains of the real world
Come forward on the plain
I’ve seen the Kansas of your sweet little myth
You’ve never seen it, no,
I’m half sick on the drinks you mixed
Through your
True dreams
Of Wichita
Brooklyn like a sea in the asphalt stalks
Push out dead air from a parking garage
Where you stand with the keys and your cool hat of silence
Where you grip her love like a driver’s license
I’ve seen you
Fire up the gas in the engine valves
I’ve seen your hand turn saintly on the radio dial
I’ve seen the airwaves
Pull your eyes towards heaven
Outside Topeka in the phone lines
Her good teeth smile was winding down
Engine sputters ghosts out of gasoline fumes
They say You had it, but you sold it
You didn’t want it, no
I’m half drunk on static you transmit
Through your
True dreams
Of Wichita
Punch it
I got, uh, fed
I got, uh, too much things on bounce, uh, my head
I got to burn ‘em up
I got to burn ‘em up now
I got to go uptown, uptown
I got a thing
I got a little bit pushed
Got to stand on the corner and bellow for mush
I got a bomb
I got a baby bomb bomb
Got to stand on the corner and bellow for my friend Tom
I got a thing, I got to thing it
I got to thing–team
I got to run my side
True dreams
266 viewsThis is probably my favorite Beck song. It’s just funky, funky, funky and I like it like that. A simple tale of the feeling of liberation after quitting a dead end job.
And of course, the lyrics:
Alcohol on my hands
I got plans
to ditch myself and get outside
dancing women
throwing plates
decapitating their laughing dates
swirling chickens caught in flight
out of focus
much too bright
coming down
shiny teeth
game show suckers trying to bleed
but I got a drug and I got the bug
and I got something better than love
How you like me now
pretty good
going on,feeling strong
I quit my job blowing leaves
telephone bills up my sleeves
choking like a one man dustbowl
freedom rock slimeball
talking in code
we went down
lit up the shack
grab me a beer out of the sack
everybody bent over twice
painting the walls throwing some dice
leaping up into the air getting juiced up beyond belief
and they were singing like this
winos throwing Frisbees at the sun
put my soul between a bun
now I’m hungry now I’m drunk
now I’m running like a flaming pig
oh yeah
scraping off the attitude
old man eating all my food
don’t be kind
don’t be rude
just shake your boots and let it all get loose
oh yeah
my goodness
fluffy clouds
jumping rainbows
fluffy clouds
I’m sad
jumping rainbows
a soft and snuggly place
[repeat]
fluffy clouds
I’m sad and unhappy
winos throwing Frisbees at the sun
put my soul between a bun
now I’m horny now I’m drunk
now I’m running like a flaming pig
oh yeah, I like it like that
oh that is cold
somebody put a flame-thrower on that
oh my goodness
take me down to the depot
buddy put me down on the bus
oh yeah
I like it like that
somebody bring me a plate of sassafrass
hey hey hey
uh-huh
what’s happenin’
You Be Illin’ is kind of a weird little song, one that hearkens back to the earlier days of hip-hop. I like it because it’s funny, and also because even though it’s a dis song, it’s not really mean. You could almost imagine them just going back and forth on the stoop, just having fun coming up with silly situations.
And of course, the lyrics:
(One) day when I was chillin’ in Kentucky Fried Chicken
Just mindin’ my business, eatin’ food and finger lickin’
This dude walked in lookin’ strange and kind of funny
Went up to the front with a menu and his money
He didn’t walk straight, kind of side to side
He asked this old lady “Yo, yo, um…is this Kentucky Fried?”
The lady said “Yeah” smiled and he smiled back
He gave a quarter and his order “small fries, Big Mac!”
You be illin’
(To)day you won a ticket to see Doctor J
Front row seat (in free!) no pay
Radio in hand, snacks by feet
Game’s about to start, you kickin’ popcorn to the beat
You finally wake up, Doc’s gone to town
Round his back, to the hoop, and you scream “Touchdown!”
You be illin’
The other day around the way I seen you illin’ at a party
Drunk as skunk you illin’ punk and in your left hand was Bacardi
You went up to this fly girl and said “Yo, yo, can I get this dance?”
She smelt your breath and then she left you standin’ in your illin’ stance
You be illin’
(For) dinner, you ate it, there is none left
It was salty, with butter and it was def
You proceeded to eat it cuz you was in the mood
But holmes you did not read it was a can of dog food!
You be illin’
As we all know, Madame Butterfly is a famous opera by Puccini. It’s also a song that was adapted by one-time punk pioneer Malcolm McLaren, infamous for managing the Sex Pistols and later Bow Wow Wow.
Actually, it’s questionable exactly how much McLaren had to do with it other than putting his name on the record and swiping a songwriting credit. There was certainly a lot of controversy surrounding credits for many of the artists he was involved with, as well as the contracts he executed with the record companies. Still, that doesn’t change how much this song grooves. The slow beat, combined with McLaren’s spoken word, the bits of opera and the mellow rap combines nicely with the airy synthesisers. It’s a really cool song.
And of course, the lyrics:
Back in Nagasaki I got married to Cho Cho San
That was her name in those days
And I was her man
I’m going back to visit her
She got a problem
She got a little Cho Cho
Cho Cho San was her name
And this is her tale of woe
Take it away Cho Cho
Today’s the day when I see clear
A tiny thread of smoke appears
Where blue skies fall upon the ocean
And shake this staid emotion
All the while I sing this song
I see a dot on the horizon
Growing bigger every second
Gleaming white in my direction
Who on earth can it be
Coming up the path for me?
What on Earth will he say?
Shall I run to him or run away?
Freaking out he’s come to get me
My feet are stuck but just won’t let me
Run to him, do I dare?
Madame Butterfly, don’t blow it
Calling Butterfly, Madame Butterfly
That’s the name he used to give me
He’s my man till the day I die
Oh, sweet Butterfly, so sweet Butterfly
She’s waiting
He’ll be back, I have faith in this love track
Pinkerton’s the name
Lieutenant Colonel Pinkerton, Sir
U.S. Navy
I’m a bounder
I married a Yankee girl
But I went back to visit old Japan
Where there she was, Cho Cho San
Gotta have something to believe in
My white honkey, I do miss him
Someday soon he’ll come around
Just to stop my nervous breakdown
Call me fool, call me stupid
Bend my arrow, kill this cupid
Say it with me
He’ll be back
I have faith in this love track
Calling Butterfly, Madame Butterfly
That’s the name he used to give me
He’s my man till the day I die
Oh, sweet Butterfly, so sweet Butterfly
She’s waiting
He’ll be back, I have faith in this love track
Cho Cho San
My little wife
My sweet butterfly
That’s the name I’ll give her
When I return
Little sweet, sweet butterfly
I hear him crowing faintly
He thinks I’m just still sweet sixteen
I guess I’ll tease him gently
Calling Madame Butterfly
His angel plucked right from the sky
Hide my baby in mystic places
I feel the fear that I might die
Right in his arms and embraces
Softly kissing my eyelashes
Got no right, no right to doubt it
Ain’t no doubt, no doubt about it
Call me fool, call me stupid
Bend this arrow, kill this cupid
I have faith, I’ll always pray
My white honkey’s here to stay
Calling Butterfly, Madame Butterfly
Butterfly, butterfly, have no fear
I’ll be back to wipe your tears
Oh, sweet Butterfly, so sweet Butterfly
She’s waiting
I’ll wait for him with unshakable faith
He’ll be back
This is a very fun song, from a man with one of the most distinct voices in the business. Great rhymes, a great tune, and a really smooth, believable delivery makes this one of the better rap songs.
And of course, the lyrics:
Uh.. check it out now
Uh.. no doubt now
Uh.. yo, check it out now
Uh.. no doubt yo
Special girl, real good girl
Biggest thing in my itty bitty world
Called her up and she made me feel right
Wish for bliss could never take flight
Sittin back with this mic in my hand
Spittin hot shit tryin to see grand
Imprinted on my mind every minute
Make my plans and you always in it, yo
Uhh, such a vivrant thing
Vivrant thing, a vivrant thing
And even though we both fly
Give each other space and not the evil eye
Actin like grownups
Don’t even try to hide cause the spot blown up
Girlfriend tellin you she wanna see
I say ‘I dunno’ but you say ‘Gladly’
And when we both do hit
We go on and on and on and on and on and
Sweeter than Ben & Jerry
Can I rhyme? Well you know I gets mine
Sittin round in my abstract car
This abstract thing goin abstract far, yo
Uhh, such a vivrant thing
Vivrant thing, a vivrant thing
Yo.. such a vivrant thing
Vivrant thing, a vivrant thing
Look at you, look at me {repeat 2X}
Check it, yo - check it, huh
Yo, check it - uhh, yo
Yo.. such a vivrant thing
Vivrant thing, a vivrant thing
Look at you, look at me {repeat 2X}
Yo, check it, yo, check it
Yo, check it, yo yo yo
Yo.. such a vivrant thing
Vivrant uh, uhh-uhh, uh
Gettin back to my MC status
All the Willie that I kick make the other niggaz mad it’s
movin, to your town and situation
Shorty thought she subtle but she really was blatant when she
shook her thing and violated
Now these wolf-like thoughts are formulated
I’m sayin, “Yo is this some heartfelt shit here?
Am I strong-backed nigga? Well shit yeah
Plus we can hold a convo’
or go to the movies, my crib, whatever yo
Just wanna see you by my side”
We on 95, know the stash is in the ride
A rappin nigga for real
You would find me in a cypher if I didn’t cop a deal
Rap slate like big weight
You buy, I sell, we split big cake
Uh uh, just move your little thing
Move it around and shake your little thing
Uh uhh
Yo.. such a vivrant thing
Vivrant thing, a vivrant thing
Uh, yo, you such a vivrant thing
Vivrant thing, a vivrant thing yo
Uh, such a vivrant thing
Vivrant thing a vivrant thing uh
Vivrant thing a vivrant thing uh
Vivrant thing ah out yo uh uh
Yo..
For those of you that think that rap music is all about thugs, drugs and violence, I’d like to present Heavy D and the Boyz to you. Positive, upbeat, funky, and just plain fun, both visually and verbally (Heavy D is one of the smoothest, most articulate rappers out there, not to mention that the group were very good dancers as well), they really just kept it all upbeat and fun.
And of course, the lyrics:
Everybody, shake your body, we don’t ill, we chill at party
Keep a groove that’s sensual, three-dimensional, unquestionable
The lover is professional
Got a category, my own and I’m the president
With my particular style, particular, extracurricular, smoother and
trickier
Throwing on lyrics like you throw up a flapjack
You’re a Chicen McNugget and I’m a Big Mac
Brainstorm soloist, have a Coca-colaist, doing very well
Because it took the right road to this
Path, make the undertake, the recordbreaker
Get up on the floor and do the Heavy D shake
Started with a pow and I’m going to end with a bang
We’ve got our own thang
Picture the set, girlies wet with sweat
In the corner people sitting down
They’ve had as much as they could possibly get
Here while I’m lamping
Feeling like a champ and push up on a cutie
Phone digits I’m stamping
The place was packed though, stuffed like an Oreo
Everybody broke for a Heavy D video
Pumping in stereo, people said, “Here we go,”
A cutie down in front said, “Heavy you’re my hero”
Understand this, before you make a comment
Because there’s always a meaning in a Heavy D statement
In this life, I strive for improvement
Be your own guide, follow your own movement
Loving is a legend
Me, I’m legendary at it
Living on the mike makes me a rapping acrobat
Don’t try to swing, because you couldn’t even hang
We’ve got our own thang
We’ve got our own thang
Original, smooth criminal, dance a lot, dance a little, shuffle to the
middle
Don’t clock anybody, let them all clock you
Don’t be down with anybody, let them all be down with you
Stay self-managed, self-kept, self-taught
Be your own man, don’t be borrowed, don’t be bought
Started with a pow and I’m going to end it with a bang
We’ve got our own thang
We’ve got our own thang
Rock Box was one of the first ‘metal-rap’ songs, combining Run-DMC’s tag team rhyme style with Eddie Martinez’s sizzling guitar solos. Additionally, it’s just a cool sounding song. It’s tremendously obvious that the three were not just fans of rap, but of rock as well, something which was borne out throughout their career.
Here’s a link to the video (be patient, Professor Irwin Corey goes away soon enough)
And of course, the lyrics:
Run DMC, live for you, fresh
To all you sucker MCs perpetrating a fraud
Your rhymes are cold wack, keep the crowd cold bored
You’re the kind of guy that girls ignore
I’m driving a Caddy, you’re fixing a Ford
My name is Joseph Simmons but my middle name is Lord
And when I’m rockin on the mic you should all applaud
Because we’re wheelin, dealin, we got a funny feelin
We rock from the floor up to the ceiling
We’re groovin, you’re movin, it has been proven
We calm the savage beast because our music is soothin’
We create it, relate it, and often demonstrate it
We dis the sucker MC, make the others suckers hate it
We’re rising, suprising, and often hypnotizing
We always tell the truth, and we never slip no lies in
No curls no braids peasy head and still get paid
Jam-Master cuts the records up and down the cross fade
Because the rhymes I say, sharp as a nail
Witty as can be, and not for sale
Always funky fresh could never be stale
Took a test to become an MC and didn’t fail
I couldn’t wait to demonstrate
All the super def rhymes that I create
I’m a wizard of the word, thats what you heard
And anything else is quite absurd
I’m a master of the mic, thats what I say
And if I didn’t say that, just say it anyway
Bust into the party, cover the place
See the first thing that comes, is the music in your face
Girls on the wall, some on the floor
With the DJ named Jay with the cuts galore
So listen to this, because it can’t be missed
And you can’t leave til you’re dismissed
You can do anything that you want to
But you can’t leave until we’re through
So relax your body and your mind
And listen to us say this rhyme, Hey
You might think that you have waited
Long enough till the rhyme was stated
But if it were a test it would be graded
With a grade that’s not debated
Nothing to deep, and nothing dense
And all our rhymes make a lot of sense
So move your butt to the cut
Run amok, you’re not in a rut
Each and everybody out there we got the notion
And we want to see y’all in motion
Just shake, wiggle, jump up and down
Move your body to the funky sound
Side to side, back and forth
We’re the two MCs and we gonna go off
Stand in place, walk or run
Tap your feet, you’ll be on the one
Just snap your fingers and clap your hands
Our DJs better than all these bands…huh
[This verse only appears in the Vocal Dub version of Rock Box]
It’s the movement of your body when you’re inside a party
Tryin to do a dance just like everybody
You keep the pep in your step
Inside of your heart is where its kept
It’s the movement of your feet when you hear def beats
Silence so sweet, harmony is so neat
It’s the movement of the head when a rhyme is said
That I rock the livin’ dead, I get you out your bed
It’s the movement of you arms, to a beat that’s charred
We’re checkin and respectin cause it’s never hard
It’s the movement of your jock when he rocks the block
Ill sucker def beats all around the block
It’s the movement of the ‘table when it starts to spin
Round and round, and back again
Huh…!
We got all the lines, and all the rhymes
We don’t drive dimes, and we don’t do crimes
We bake a little cake with Duncan Hines
And never wear those pants they’re callin’Calvin Klein
Cause Calvin Klein’s no friend of mine
Don’t want nobody’s name on my behind
It’s Lee on my leg, sneakers on my feet
D by my side, and Jay with the beat
…Jay…Run…
We don’t…Jay…
Bun…Two…Tee…Run…
Hollis Crew…
But…
Cortina…
Ha…
My man Jam-Master…And his place to be…
Jay…The big beat blaster…
Waited…
Straight off the ground…All the way live…
Remember, you don’t stop…beat…
Run rocks it well…With the clientelle…
Krush Groove…
Young ladies in place…with base…with the high space…
So let ‘em…
Homeboy…
Now we’re talkin autographs…
Homegirl…
Autographs…
Fly Girl…In place…
Homeboy…
High Street…
Fun…
Sing…