I am in love with that song.
Alex Chilton is one of those songs that tends to elevate my mood whenever I hear it. It’s an exceptionally well-crafted song for all of its seeming rough edges.
The song is, of course, a tribute to former Box Tops member and power pop pioneer Alex Chilton. Some of the lyrics refer to Paul Westerberg’s meetings with Chilton, and Chilton was at one time going to produce one of their records.
Anyway, it’s just a gorgeous song.
And of course, the lyrics:
If he was from Venus, would he feed us with a spoon?
If he was from Mars, wouldn’t that be cool?
Standing right on campus, would he stamp us in a file?
Hangin’ down in Memphis all the while.
(chorus:)
Children by the million sing for Alex Chilton when he comes ’round
They sing “I’m in love. What’s that song?
I’m in love with that song.”
Cerebral rape and pillage in a village of his choice.
Invisible man who can sing in a visible voice.
Feeling like a hundred bucks, exchanging good lucks face to face.
Checkin’ his stash by the trash at St. Mark’s place.
(chorus)
I never travel far, without a little Big Star
Runnin’ ’round the house, Mickey Mouse and the Tarot cards.
Falling asleep with a flop pop video on.
If he was from Venus, would he meet us on the moon?
If he died in Memphis, then that’d be cool, babe.
(chorus)
65 viewsDarts. I cannot necessarily call it a great song, but it is most certainly a fun song. I don’t know if it’s about any one thing in particular, but it’s quite fun. It’s one of those songs the band can have fun with, the audience can have fun with, everyone can
Here is a link to a live performance
And of course, the lyrics:
May I please remain in this space,
For darts screech by my desires,
May I please remain in this space,
For darts screech by my desires,
Art thou not human man (x 8)
Not human man art thou
Life threatening lifestyles,
A hitman, a nun, lovers,
Life threatening lifestyles,
A hitman, a nun, lovers,
Arise as did the gods Ninti,
Arise as did the gods Ninti,
Arise as did the gods Ninti, and Ishkur
Clock men for they will fail,
Fear not the gods that come from the sky,
Long not for the one who’s lost their way,
Arise as did the gods Ninti,
can you tell me? I don’t know.
Five Foot One is one of those truly iconic songs in many ways, a song about the frustrations of being different, moreso than just of being short. The singer complains of working in an amusement park as a freak as the only thing he can do, and wishes life could be “Swedish Magazines” (for a long time, I wasn’t sure if he was saying “Swedish Magazines” or “Sweetest Majesty”), presumably for the perks of being a small person in certain types of pornographic entertainment. However, what really comes out is the sense of frustration at simply lying outside the norms of society.
Oh, and it rocks too. Great song.
And of course, the lyrics:
Yeah, I like it
Ugh! Ugh! Ugh!
I’m only five foot one
I got a pain in my neck
I’m looking up in the city
What the hell what the heck
I stare at the concrete
The girders eye high
The steel’s above me
There’s love in my eyes
And I’m doing the things
A five foot one man can do
I’m only five foot one
I got a pain in my heart
All the night I’m working
In the amusement park
With a bottle of aspirin
A sack full of jokes
I wish I could go home
With all the big folks
And I wish life could be
Swedish magazines
I wish life could be
Swedish magazines
I wish life could be
Anything
Ugh! Aie! Aie! Aie!
Ugh!
I’m only five foot one
Unless the time has come
I won’t grow anymore
Anymore, anymore, anymore
‘Till I’m losing my head
I’m checkin’ it twice
I’m gonna find out who’s naughty and nice
And I’m doing the things a five foot one man can do
I wish life could be Swedish magazines (x3)
I wish life could be
Yeah, I wish life could be
Oooooooooohhh
I wish life could be
I wish life could be Swedish magazines
I wish life could be Swedish magazines
I wish life could be
I won’t grow anymore (x3)
Anymore, anymore, anymore, anymore, anymore
I’m only five foot one (x3)
I’m five foot one
When Our Love Passed Out On The Couch is one of those songs typical of X, a song of crashing despair over casual infidelity. Of course, the song features the trademark atonal harmonies of John Doe and Exene Cervenka, and it just plain rocks as well.
You can listen to the song below:
And of course, the lyrics:
Make out
When you passed out
On the sofa
Kissing any little child that comes along
I’m gonna leave on
The record
Too loud for you to hear me spreading technicolor blood
I hate it
I love you
I hate that I need to know what you do
When our love passed out on the couch
You’re fateful
I’m hateful
And I ruin any kind of fun you have in mind
Like make out
When you pass out
On the sofa
Kissing any little child who comes along
On the surface, this is simply a song about just why someone would choose to stay with someone that seemingly brings nothing of use to the relationship. That’s all well and good, and it’s a very well written song.
However, what really makes this song for me is that it shifts musical genres several times within the song. It starts out like a Broadway show tune, then settles into basic rock for the chorus, then shifts into a smooth jazz feel for the second verse, back to rock and then finally finishing with a reggae feel. Good stuff.
Oh, I think the video is brilliant too.
And of course, the lyrics:
Won’t make the bed up straight
I always stay out late
I never take you out
Ask what you’re all about
I always smell like smoke
Everythings just a joke
I never look at you
When you come hear me sing
These are not all of the
Many simple things
You can find wrong with me
Once would you tell me please
What do I do, What do I do
What do I do, What do I do…Right
What do I do, What do I do
What do I do, What do I do…Right
I never talk to you
be who you want me to
My music’s way to loud
My friends are all so proud
Say I’m just wasted hope
I could not thread the rope
More than my pocket’s broke
And you don’t see a ring
These are not all of the
Infinitesimal things
You can find wrong with me
Once would you tell me please
What do I do, What do I do
What do I do, What do I do…Right
What do I do, What do I do
What do I do, What do I do…Right
Never wanted to play in this game
Yes, You’re right
but losing the game doesn’t mean
that we’re losing the fight
What do I do, What do I do
What do I do, What do I do…Right
What do I do, What do I do
What do I do, What do I do…Right
What do I do, What do I do
What do I do, What do I do…Right
What do I do, What do I do
What do I do, What do I do…Right
*What do I do…Right
*What do I do
*wont make the bed up straight
*I always stay out/great
*but what do I do
What do I do that is right
I don’t think I’ve ever heard anything like Atari Teenage Riot. Pure sonic attack, eardrum bleeding drum machines, a sound that I simply haven’t heard before or since.
Too Dead For Me is one of those songs that typifies the band. Angry, rebellious, and totally disenchanted, there will always be–there should always be–room for bands who politicize things, that ask questions, that reject pat answers.
Oh yeah, it’s a cool sounding song, at least to me. May not be to eveyrone’s tastes, but I dig it.
And of course, the lyrics:
Come On! Go!
Too dead for me… Too dead for - Too dead for me!
What do you say? (x2)
Too dead for me!
What do you say?
Too dead for - Too dead for -
Too dead - What do you sell your soul for?
Too dead for - Too dead for - 1, 2, 3, 4!
Too dead for me! Too dead for -
It’s just too dead for me!
Too dead for - Too dead for -
What do you sell your damn soul for?
It’s just too dead for me…
We won’t keep quiet! We won’t keep quiet!
We won’t keep quiet! We won’t keep quiet!
Never!
Fast like a blizzard - Cold like stone
Luxury depression crushed your bones
This kinda think is too sad for me… Go! Go ! Go! Go!
You cry later - Dope calculator
Nothing else but an empty prayer!
The safe side didn’t work out? That’s too bad for you…
What do you say?
We won’t calm down! We won’t calm down! We won
Too dead for - Too dead for - (x3)
Too dead for me!
There’s nothing going on for you?
Just look around you!
No! No! No! That’s too dead for me!
Like a toy without belief -
Like a sead for a fascist society
You! You are too dead for me!
That’s too dead for me… I don’t wanna listen…
It would destroy the last dreams I’ve left for you…
Too dead for - Too dead for - (x8)
Too dead for me! (x5)
I run around to see my soul smashed into pieces
Like a hole in my chest and it burns and it burns
It never stops!
They can’t wait to waste my youth
Consumed like a corporation’s entity
And then it stops! It just stops!
Come on!
Watch out! Watch out!
Fools around me through the back door
Backbite! And we define what’s hardcore!
And that’s what I am! That’s where I go!
I never understood what you sold your soul for…
Too dead for - Too dead for - (x10)
Too dead for me! (x7)
What do you say?
Too dead for - Too dead for - (x3)
What do you say?
Too dead for me…
What do you say?
London’s Burning is a cool late 1970’s punk song. A simple tune with a tongue in cheek lyric that actually points out a greater evil–namely the problems of mass unemployment and racial tension in the UK–it’s also a nice little rocking tune. It’s got a great hook, it’s a good sing-a-long song, and it’s easy to relate to in many ways for many people in the years between 18-21.
And of course, the lyrics:
London’s burning! London’s burning!
All across the town, all across the night
Everybody’s driving with full headlights
Black or white turn it on, face the new religion
Everybody’s sitting ’round watching television!
London’s burning with boredom now
London’s burning dial 99999
I’m up and down the Westway, in an’ out the lights
What a great traffic system - it’s so bright
I can’t think of a better way to spend the night
Then speeding around underneath the yellow lights
London’s burning with boredom now
London’s burning dial 99999
Now I’m in the subway and I’m looking for the flat
This one leads to this block, this one leads to that
The wind howls through the empty blocks looking for a home
I run through the empty stone because I’m all alone
London’s burning with boredom now…
London’s burning dial 99999
Yeah, I know this is late. Ask for a refund…
Vietnamese Baby is one of those rock songs that just plain–well, rocks. There are some interesting lyrics with sort of a war theme–seemingly about someone who perhaps fathered and abandoned a baby in Vietnam, and David Johansen’s vocals are strong as always. Beyond that, the song just plain rocks–oh, did I say that already?
And of course, the lyrics:
When I’m getting home to you
I gotta show you what I can do
But everything connects and that ain’t nowhere
Well, but maybe they’re just giving you all you’ve ever wanted
And maybe you never ever know what that was
And maybe you’re just finding it out now
With a Vietnamese baby on your mind
Technology satellite, well
What’s wrong today and why was
Everyone so busy they’ve forgotten why they’re playing
That he said, what’s wrong today is what wrong with you
You’re so solid, busy solid, that’s all you do
With a Vietnamese baby on your mind
Your pretty little mind
Catch me your slaves, shot at
Every riffle on the way and I gotta
Show you more mustard gas than any girl ever seen
Since I been blasted, I’ve been blown, I’ve been backing away
You’ve got to back it away
You’ve got to take a search of values, yeah
But I’ve got a concert out to play
With a Vietnamese baby on your mind
Your pretty little mind
Your pretty little mind
When I’m getting home to you
I’ve got to show you what I can do
But everything connects and that ain’t nowhere
No no no baby no nowhere
It just won’t give a no
I’m talking about your overture
Talking bout your overture
Got to shout about your overture
Now that it’s over, now that it’s over
Now that it’s over, what ya gonna do?
This is my favorite Dead Kennedys song…really.
For me, what really makes this work is the tremendous glee with which Jello Biafra sings this one. Whether this is meant to be sarcastic or it’s a little more serious, it’s obvious that he’s really having just so much fun with this one. Also, it does rock, and it’s got that trademark Dead Kennedys snark.
And of course, the lyrics:
We ain’t going to the party
We ain’t going to the game
We ain’t going to the disco
Ain’t gonna cruise down main
We’re stealing people’s mail
stealing people’s mail
stealing people’s mail
On a Friday night
Drivin’ in the mountains
Winding ’round and ’round
Rummage through your mailboxes
Take your mail back to town
And we got license plates, wedding gifts, tax returns
Checks to politicians from real estate firms
Money, bills and cancelled checks
Pretty funny pictures of your kids
We’re stealing people’s mail
On a Friday night
We’re stealing people’s mail
By the pale moonlight
We got grocery sackful after grocery sackful
After grocery sackful after grocery sackful
After grocery sackful after grocery sackful
Of the private lives of you
Ha Ha
People say that we’re crazy
We’re sick and all alone
But when we read your letters
We’re rolling on the floor
We got more license plates, wedding gifts, tax returns
Checks to politicians from real estate firms
Money, bills and cancelled checks
We cut relationships with your friends
We’re gonna steal your mail
On a Friday night
Gonna steal your mail
By the pale moonlight
We better not get caught
We’ll be dumped in institutions
Where we’ll be drugged and shocked
‘Til we come out born-again Christians…
You know this song. You’ve heard it a bunch, but you probably never knew who it was.
I’ve loved Ca Plane Pour Moi from the first time I’ve heard it. Not just the incongruity of French punk-surf music, but also because it’s just a cool rock and roll song.
Oh, someone posted an English translation at SongMeanings.
Here’s a link to a perfomance on Top Of The Pops
And of course, the lyrics:
(Yam! Bam!)
(Mon chat “Splash”)
Gît sur mon lit
A bouffé sa langue
En buvant (tronc) mon whisky
Quant à moi
Peu dormi, vidé, brimé
J’ai dû dormir dans la gouttière
Où j’ai eu un flash
Hou! Hou! Hou! Hou!
En quatre couleurs
Allez hop!
Un matin
Une (louloute) est venue chez-moi
Poupée de Cellophane
Cheveux chinois
Un sparadrap
Une gueule de bois
A bu ma bière
Dans un grand verre
En caoutchouc
Hou! Hou! Hou! Hou!
Comme un indien dans son igloo
Ça plane pour moi
Ça plane pour moi
Ça plane pour moi moi moi moi moi
Ça plane pour moi
Hou! Hou! Hou! Hou!
Ça plane pour moi
Allez hop! La nana
Quel panard!
Quelle vibration!
De s’envoyer
Sur le paillasson
Limée, ruinée, vidée, comblée
“You are the King of the divan!”
Qu’elle me dit en passant
Hou! Hou! Hou! Hou!
I am the King of the divan
Ça plane pour moi
Ça plane pour moi
Ça plane pour moi moi moi moi moi
Ça plane pour moi
Hou! Hou! Hou! Hou!
Ça plane pour moi
Allez hop!
T’occupe
T’inquiète
Touche pas ma planète
It’s not today
Quel le ciel me tombera sur la tête
Et que l’alcool me manquera
Hou! Hou! Hou! Hou!
Ça plane pour moi
Allez hop! Ma nana
S’est tirée
S’est barrée
Enfin c’est (marre) à tout casser
L’évier, le bar me laissant seul
Comme un grand connard
Hou! Hou! Hou! Hou!
Le pied dans le plat
Ça plane pour moi
Ça plane pour moi
Ça plane pour moi moi moi moi moi
Ça plane pour moi
Hou! Hou! Hou! Hou!
Ça plane pour moi
Ça plane pour moi
Ça plane pour moi
Ça plane pour moi moi moi moi moi
Ça plane pour moi